Art Nouveau

SO I was told by Tommy to go look up Art Nouveau subway stations in Paris. Then when I googled them, I was freaked out a bit. The lettering on the signs is so creepy. but then as I started to look at the whole style of Art Nouveau I began to understand the connection between my project and what Tommy was referring too.  Like in this picture, the branches across the ceiling. The architectural style is exactly what I was describing in my critique on Friday.

Music and Architecture

So today during History and Theory we were talking about music and architecture. I thought of Frank Ticheli's "Angels In the Architecture." I heard the piece played by the Virginia Tech Wind symphony two years ago. And as we talked in class, sort of seamed fitting to the topic. The layers, the contrast, harmony, style its all there.

  I found the Program notes on the piece.
"Angels in the Architecture was commissioned by Kingsway International, and received its premiere performance at the Sydney Opera House on July 6, 2008 by a massed band of young musicians from Australia and the United States, conducted by Mathew George. The work unfolds as a dramatic conflict between the two extremes of human existence-one divine, the other evil. The works title is inspired by the Sydney Opera House itself, with its halo-shaped acoustical ornaments hanging directly above the performance stage.
Angels in the Architecture begins with a single voice singing a 19th-century Shaker song:

I am an angel of Light
I have soared from above
I am cloth'd with Mother's love.
I have come, I have come.
To protect my chosen band
And lead them to the promised land.

This "angel" - represented by the singer - frames the work, surrounding it with a protective wall of light and estalishing the divine. Other representations of light, played by instruments rather than sung, include a traditional Hebrew song of peace ("Hevenu Shalom Aleichem") and the well-known 16th-century Genevan Psalter, "Old Hundredth." These three borrowed songs, despite their varied religious origins, are meant to transcend any one religion, representing the more universal human ideals of peace, hope, and love. An original chorale, appearing twice in the work, represents my own personal expression of these aspirations.
Just as Charles Ives did more than a century ago, Angels in the Architecture poses the unanswered question of existence. It ends as it began: the angel reappears sings the same comforting words. But deep below, a final shadow reappears-distantly, ominously."
Source:http://www.windrep.org/Angels_in_the_Architecture

Though the history behind the piece only has a little to do with Architecture, It seemed to connect the lesson to something I knew about.